There’s something about these Richard Linklater films, man. It’s hard to know exactly how to describe the phenomenon that is a Linklater picture, with each of his movies containing a spirit that can’t be seen, but a spirit that has such a tangibility that audience members come away from a project enveloped by his world building, his characters, and his themes. His latest film, Everybody Wants Some, manages to be so many things at once: a sports film, a coming of age story, a brilliant comedy, and a deep rumination on college life and the human condition.