2 Black Guys Talk Godzilla: Ep. 19 – Showa Era Wrap-Up

We’ve reached the end of an era! On this week’s episode of 2 Black Guys Talk Godzilla, we bring season one of this award-winning podcast to a close by providing a wrap-up of the Showa Era. Hear them discuss the era as a whole, rank the films they watched, cover their favorite fights, characters, villains,

Film Review: Wicked: For Good

Act two of Wicked has always been something of a conundrum for fans of the musical like me. With the second act comes three of the five best songs in the musical, including the two best numbers for the titular heroines. On the other hand, the narrative is concentrated on a relatively short span of

2 Black Guys Talk Godzilla: Ep. 18 – Terror of Mechagodzilla (1975)

It’s time for one final funky battle! On this week’s episode of 2 Black Guys Talk Godzilla, we look at 1975’s Terror of Mechagodzilla, directed by Ishiro Honda. This is the final entry in the Showa Era, as the next appearance would not occur until nearly a decade later, as part of the Heisei Era.

2 Black Guys Talk Godzilla: Emergency Bonus Episode – Godzilla Minus Zero Teaser Reveal

Huge news dropped on Godzilla Day, and the guys had to put together another emergency bonus episode of 2 Black Guys Talk Godzilla to discuss it. Terence Johnson and Aaron Neuwirth go over their thoughts and excitement over the official title of Toho’s next highly anticipated sequel to Godzilla Minus One, Godzilla Minus Zero. Enjoy

2 Black Guys Talk Godzilla: Ep. 17 – Godzilla vs. Mechagodzilla (1974)

It’s time for a mechanical takedown! On this week’s episode of 2 Black Guys Talk Godzilla, we look at 1974’s blend of myth and cosmic destruction in Godzilla vs. Mechagodzilla, directed by Jun Fukuda. Ambition was key with this entry, as Toho would introduce one of Godzilla’s most popular adversaries, Mechagodzilla, along with a fun

Film Review: A House of Dynamite

A House of Dynamite comes to the screen with a pedigree that few others can boast. The actors involved in this production have won most mainstream acting awards, the screenwriter wrote Jackie, and director Kathryn Bigelow was the first woman to win the Oscar for Best Director. You’d be forgiven if you thought the dynamite

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