It seems strange to start my review of The Witch with how I felt by the end, but it seems as good a place as any. In fact, letting you know that I felt shook to my core and completely unable to deal is probably the kind of reassurance one would need when considering whether
At what point does being self-aware of a genre actually start to work against you? This was a question I pondered upon leaving my packed and pretty amped up screening of Deadpool. Surrounded by people who were raving about the film, I found myself in a weird place of feeling like I was giving the movie a bad grade, despite my immense like for the film.
It’s always nice when someone exceeds your already high expectations. At the Pan African Film Festival, Nate Parker sat down with several guests and talked about his new film The Birth of a Nation. I was able to record the conversation via phone and it really is a wonderful exploration of history, blackness, as well
On the Floor is back for another week with a discussion that starts off real shady and rude, yet transforms into an appreciation of stuff. We open on Rihanna’s new album ANTI and the divisive feelings it has engendered, plus how ridiculous the reclassification of Platinum is. We then move on to American Crime and
Spagettit and I have reconvened to put the final statement on 2015’s really wonderful films. We give you our top 10s and then our pretend Oscar ballots. There’s also a quick New Year’s Resolution check up. You can donate to my Indiegogo campaign here: http://igg.me/at/TDMBP Direct Download Additional Reading Films I Screened in 2015 Full