You guys, Guardians of the Galaxy is what we were all hoping it would be. A fun, thrilling, pop colored concotion of fun jokes, thrilling action, and a rag tag group of heroes that include a talking raccoon and a sentient tree. Marvel has figured out the perfect way to tap into our inner fan and with Guardians of the Galaxy has found a great film to fits its mold and expand the universe.
So…uh…I kinda didn’t like Dawn of the Planet of the Apes. That’s probably the best place to start off this review, and also because I don’t really know a better way to get into it. After the wonder that was Rise of the Planet of the Apes, this movie is this new reboot feels akin to Pirates of the Caribbean: Dead Man’s Chest, a boring film with some good sequences that doesn’t quite capture the magic of its predecessor.
Originally published at ScottFeinberg.com I don’t think I can recall having as transformative screening experience at a film festival as I did with Boyhood. This new film from Richard Linklater was a picture 12 years in the making and the finished product is a wonderfully epic sojourn into the life of a child as he grows
Has the ever been a filmmaker in our life time that consistently does the bare minimum with the most than Michael Bay? I mean got damn this man has EVERYTHING at his disposal and THIS was the best Transformers movie he could think of? Like…chile…I can’t even begin to tell you all how bad of
Independent sci-fi can be a dicey proposition. Lower budgets can mean terrible special effects, the need to create intimacy can lead to poor execution. Luckily, director William Eubank avoids most, if not all of the problems, with his new film The Signal, one of the most compelling indie sci-fi films in the past few years. Read