Have you all gone over to Awards Circuit and checked out the series we’re doing on the top 10 greatest performances of all time? If not, you should be as it’s fascinating look into the psyche of avid film fans. My list is was finally revealed yesterday, and I figured that I’d share with you
So…uh…I kinda didn’t like Dawn of the Planet of the Apes. That’s probably the best place to start off this review, and also because I don’t really know a better way to get into it. After the wonder that was Rise of the Planet of the Apes, this movie is this new reboot feels akin to Pirates of the Caribbean: Dead Man’s Chest, a boring film with some good sequences that doesn’t quite capture the magic of its predecessor.
Hayley Foster (Animation – B.A. ’13) is off to a good start this summer. Her senior thesis film Yamashita earned several awards, including a bronze medal at the Student Academy Awards and will be airing on Fine Cut: KCET’s Annual Festival of Student Film on Monday, July 7, 2014. She also got promoted. Now a
Originally published at ScottFeinberg.com I don’t think I can recall having as transformative screening experience at a film festival as I did with Boyhood. This new film from Richard Linklater was a picture 12 years in the making and the finished product is a wonderfully epic sojourn into the life of a child as he grows
If you happen to listen to the Awards Circuit Power Hour or read that site, you know there’s been quite a discussion regarding determining what a musical is. I attempted to comment on the podcast and I just want to make sure that I could have my ideas somewhere they could be read in full
Has the ever been a filmmaker in our life time that consistently does the bare minimum with the most than Michael Bay? I mean got damn this man has EVERYTHING at his disposal and THIS was the best Transformers movie he could think of? Like…chile…I can’t even begin to tell you all how bad of