There’s a war going on in Mother of George, not just among family obligations and societal pressures, but against the very film itself. On the one hand this is movie that tells an engaging story of a couple facing struggles when they can’t conceive a baby. Yet, on the other hand, this is a film so concerned with its visuals and being stylistic that it often gets in its own way. So then how does Mother of George fare in this war? Not well, I’m afraid. Though I want to recommend and champion this movie, the film left me so frustrated and robbed of a good experience that even on the nicest of days it’d be tough for me to give it my blessing.
If you have been following any movie news, you know that 12 Years a Slave, the new Steven McQueen film starring Chiwetel Ejiofer, Michael Fassbender and Lupita N’yongo, is tearing up the festival circuit, inspire all sorts of praise and talk of Oscars. It’s been interesting to see a film made by someone of a dark hue winning raves, but there’s another facet to the conversation surrounding the film that has been confounding me. It all started when Brad Pitt made a comment during a press conference about Americans not asking about why there aren’t more films about slavery and eventually saying that it took an outsider to be able to tell this tale.