If I had to pick a word to describe Avengers: Age of Ultron, it would be epic. The movie is epic in run time (2 1/2 hours), scope (we travel to three countries), characters (all the original Avengers are back plus 4 familiar faces and four new characters) and plot developments. And it’s not hard to see why Joss Whedon and company would want to up the ante. After all, the first film is the #3 highest grossing film of all time not adjusted for inflation. But with the expectations and outsized nature of the story comes a weight that even the most quippy of quips can’t really shake. So while Avengers: Age of Ultron is very entertaining, the movie sort of falters.
What’s interesting about Avengers: Age of Ultron starts at the beginning trying to act like a mid slice pilot of a TV show, dropping you into a massive battle with the Avengers as they locate and recapture Loki’s septre. It’s a jaw dropping set piece although it doesn’t quite let you settle into the film, so much as trade upon your understanding of these characters and their past situtations. We are quickly re-introduced to the twins Quicksilver (Aaron Taylor-Johnson) and Scarlet Witch (Elizabeth Olsen) who provide our heroes with some challenges, in Witch’s case getting inside the minds of our heroes. Her machinations have a direct cause in Tony Stark (Robert Downey Jr.) to create Ultron (James Spader), an AI that he hopes can be a suit of armor around the world, but instead comes to life and turns his evil gaze on humanity. As his power grows the Avengers find themselves having to fight like never before.
It was during the opening scene that I understood much of the discussion of why people consider these movies to be $200 million tv shows on the big screen. This is not meant to be a slight against the film, but its tough to not feel like you’ve had to have seen every Marvel film previously in order to gain entry. More importantly, this movie had a tie in with Agents of SHIELD, which is both a good marketing ploy but a tough thing to constantly do. In many ways this movie is the film Pirates of the Caribbean: Dead Man’s Chest so desperately wanted to be; a film that could tie a surprisingly fun jaunt to its epic conclusion. However, when you expect greatness just good enough is tough to swallow.
The main issues I am having with the film have to do with the script and how it chooses to employ its many facets. We all know that Joss Whedon isn’t returning for the next Avengers films and it not hard to see that he gives this movie everything he can. However, Avengers might have needed a bit less. The Marvel brand succeeds on imbuing humor within its tales and the one liners and comedy are definitely woven through the film to varying degrees of success (there’s a moment in the third act that will slay every audience). Ultron in particular gets a well deserved infusion of comedic timing I was not expecting and with Spader’s voice, Ultron flies off the screen. Many of the quips feel a bit weary, not just because the characters are being put through but because they just can’t sustain it, gifted as the actors may be. This gets into a bigger discussion of how the subplots are deployed. The character beats in Avengers: Age of Ultron are all there, and many of the actors run with them (Chris Evans and Chris Hemsworth continue to be the secret glue that keeps these movies rolling). We even learn more about Black Widow (Scarlett Johanssen) and Hawkeye (Jeremy Renner), two of the most secretive folks on the team. However much of what is revealed is employed with such a heavy hand. Even as an equal opportunity Avengers shipper (Thundershield is the one I captain the most) I felt the love subplots were used like a club and even the future relationships that are derived from the comics felt like I was being told what would happen rather than made to feel like it would be organic. Combine that with so many characters, clunky introductions of the twins and Vision, I felt almost as beat down by these additional character details as the Avengers did by the many robots they had to fight.
Speaking of fighting, the set pieces in this movie are incredibly massive and smartly, the movie doesn’t shy away from showing us the devastation these battles cause the regular people caught up in them. For that the movie deserves much credit even if you don’t fully understand just how they’re going to solve the problems at the end.
In the end, even with the problems Avengers: Age of Ultron has, it manages to find just the right strings to pluck to send you through the tale on an enjoyable ride.
About Post Author
Terence Johnson
You may also like
Average Rating
Archives
- April 2026
- March 2026
- February 2026
- January 2026
- December 2025
- November 2025
- October 2025
- September 2025
- August 2025
- July 2025
- June 2025
- May 2025
- April 2025
- March 2025
- February 2025
- January 2025
- December 2024
- November 2024
- September 2024
- August 2024
- July 2024
- June 2024
- May 2024
- April 2024
- March 2024
- January 2024
- December 2023
- November 2023
- October 2023
- September 2023
- August 2023
- July 2023
- June 2023
- May 2023
- April 2023
- March 2023
- February 2023
- January 2023
- December 2022
- November 2022
- October 2022
- September 2022
- August 2022
- July 2022
- June 2022
- May 2022
- April 2022
- March 2022
- February 2022
- January 2022
- December 2021
- November 2021
- October 2021
- September 2021
- August 2021
- July 2021
- June 2021
- May 2021
- April 2021
- March 2021
- February 2021
- January 2021
- December 2020
- November 2020
- October 2020
- September 2020
- August 2020
- July 2020
- June 2020
- May 2020
- April 2020
- March 2020
- February 2020
- January 2020
- December 2019
- November 2019
- October 2019
- September 2019
- August 2019
- July 2019
- May 2019
- April 2019
- March 2019
- February 2019
- January 2019
- December 2018
- November 2018
- October 2018
- September 2018
- August 2018
- July 2018
- June 2018
- May 2018
- April 2018
- March 2018
- February 2018
- January 2018
- December 2017
- November 2017
- October 2017
- September 2017
- August 2017
- July 2017
- June 2017
- May 2017
- April 2017
- March 2017
- February 2017
- January 2017
- December 2016
- November 2016
- October 2016
- September 2016
- August 2016
- July 2016
- June 2016
- May 2016
- April 2016
- March 2016
- February 2016
- January 2016
- December 2015
- November 2015
- October 2015
- September 2015
- August 2015
- July 2015
- June 2015
- May 2015
- April 2015
- March 2015
- February 2015
- January 2015
- December 2014
- November 2014
- October 2014
- September 2014
- August 2014
- July 2014
- June 2014
- May 2014
- April 2014
- March 2014
- February 2014
- January 2014
- December 2013
- November 2013
- October 2013
- September 2013
- August 2013
- July 2013
- June 2013
- May 2013
- April 2013
- February 2013
- January 2013
- December 2012
- November 2012
- September 2012
- August 2012
- May 2012
- April 2012
- March 2012
- February 2012
- January 2012
- December 2011
- October 2011
- September 2011
- August 2011
- July 2011
- June 2011
- May 2011
- March 2011
- February 2011
- January 2011
- December 2010
- October 2010
- September 2010
- August 2010
- July 2010
- June 2010
- March 2010
- February 2010
- December 2009
- November 2009
- September 2009
- August 2009
- July 2009
- June 2009
- May 2009
Categories
- 2013 in Review
- 2014 in Review
- 2015 in Review
- Awards Season
- Blog
- Books
- Classic Cinema Sundays
- Demon Wolfcast
- Fan Fiction Friday
- Featured
- Festivals/Cons
- Film School Files
- Friday Fantasy Adaptation
- Interview
- Movies
- music
- Op-Ed
- Oscars
- Pieces of the Week
- Podcast
- Red Carpet
- Special Announcement
- sports
- Teen Wolf
- Top 10
- TV
- Uncategorized
- Wayback Wednesday
- WonderCon
- Year in Review