What happens when a filmmaker struggles to make intangible things tangible? Well in the case of Namour, the debut feature from Heidi Saman, you can have a disjointed film. However, it can also snap you right into focus when things are going right, making you long as an audience member for those strong moments and cling
I was recently going through some old articles that I had written and I came across an article I wrote nearly 3 years (3 years!) ago about the Best Superhero films of all time. Looking at the list made me cackle given how many more superhero films have come out since then (like 15) and just
It shows you how out of the Oscar game I have become over these past two years that it’s June and I’m just now releasing a set of Oscar predictions. This far out it’s always hard to tell what will make the final cut, so these predictions are always a mix of fantasy, some logic,
I have been on a YA reading tear as of late and this installment of Le Noir Auteur Reads, I actually picked up books with protagonists who have the same name. They also happen to be behemoths in the YA world, so let’s dive in: Carry On by Rainbow Rowell I can see why Rainbow
One of the most underrated film festivals out there is the Los Angeles Film Festival. Always boasting a unique mix of indie films and bigger pictures, the festival, put on by Film Independent, has a really fun spirit. This year’s festival sees the group pushing further into the realm of digital space, while also making
Listen as much as I want you to read this preview piece, before we even get to far into it, you must watch the pilot for Outcast which has been uploaded to youtube. Trust me. Though I plan to illuminate the ways in which I think this show is great, it might be best to