Sorry everyone that the recap is a bit late, this weekend I was at the Days of the Wolf Con, and was super exhausted after coming home. This episode starts with Marnie (Allison Williams) she’s putting flowers in vases and we see her putting a name tag of each girl on the beds of all
I have not seen Paul Verhoeven‘s original “RoboCop” from 1987, so I cannot judge Jose Padilha’s version as a remake. But I can judge it on its own merits as a film, and 2014’s “RoboCop” finds itself much like its protagonist – without a heart. Action sequences are fine, if a bit one sided, and
It’s not every day you get to hear an Oscar nominated director describe the visual layout of Hogwarts with impeccable clarity and then turn around and explain why The Bicycle Thieves has inspired his whole career. But that’s what was in store when Alfonso Cuarón spoke to film students as the inaugural guest of SFTV’s new series
The best musical that no one has talked about bringing to the screen is Caroline, or Change and therefore it is my subject for today’s adaptation. The musical had a short run on Broadway when it opened in 2003, but it made a star out of Anika Noni Rose, relaunched Tonya Pinkins career, and had one of the greatest scores ever written for the theater. So what would the movie version look like?
Jennifer Lawrence is the biggest actress in the world right now; do you know why? It is not because she stars in two mega franchises. It is not because she has an off screen personality that makes her accessible and endearing. It’s not even because she is an Oscar winning actress at the sprite age