There’s a comfort in sitting down for a Marvel movie in that you pretty much know what you are in store for. Even when the films underwhelm, they are tonally consistent. With this kind of audience understanding and production, you can kind of take for granted what it actually takes to make films that connect
I know you all probably dislike when Spagettit and I take long unannounced breaks but for all that waiting, we have a wonderful podcast for you that’s jam packed with wonderfulness. We talk about a wonderful list of topics that range from how lit the Hamburger Helper mixtape is, how awesome Everybody Wants Some is,
There’s something about these Richard Linklater films, man. It’s hard to know exactly how to describe the phenomenon that is a Linklater picture, with each of his movies containing a spirit that can’t be seen, but a spirit that has such a tangibility that audience members come away from a project enveloped by his world building, his characters, and his themes. His latest film, Everybody Wants Some, manages to be so many things at once: a sports film, a coming of age story, a brilliant comedy, and a deep rumination on college life and the human condition.
If any of you have followed me or this site since it has been around, you are familiar with me saying “*squints*” as a reaction to things. I often use it as a form of shade, to signify something that I think is ridiculous and deserving of little to no further examination. There’s probably a
Hello neglected wonderful listeners of this podcast. We’ve missed you, and according to a tumblr ask, you have missed us as well. To atone for the fact that it’s been weeks since you had a new On the Floor we have packed in an insane amount of topics including a look at the TV landscape