Man, they just don’t make spy thrillers like they used to. American Assassin, the latest and not greatest entry into the pantheon of American spy films, hit cinemas this weekend with some intriguing elements. A new star, a great character actor, a bajillion book series, were all in play to make the movie work. However,
How does one even begin to review a film like Darren Aronofsky’s mother!, a complete mind fuck of an experience? Well, you’d probably start by cursing like I did, you might attempt to put together coherent thoughts about it like I will, or you could just stew on the film (which you should) because after
Remakes are, and always have been, a staple of not just Hollywood cinema, but film history. Some rise above their previous source material, some don’t. There are few that feel as ill-conceived as Death Note, a poorly slapped together fan fiction film version of what should have been a strong morality tale. Death Note
There’s a moment early on in The Incredible Jessica James that seals the deal for your opinion on the movie. Jessica, played by Jessica Williams, is talking to the divorced mother of one of her theater kids about why her daughter can’t come to a writer’s retreat. The mother informs her about the challenges with
The Coldest City is the name of the graphic novel that is the source material for Atomic Blonde and you would be remisced to feeling the chill after leaving the theater. Atomic Blonde is a Cold War era thriller that’s more cold than thriller, despite the deliciousness of it’s two lead performances from Charlize Theron
Dunkirk, the new film by Christopher Nolan, is…an experience, to say the least. A non-linear approach to one of the most interesting situations to come about in World War II, the film employs everything possible to keep the audience in it’s thrall. Dunkirk very much reminds me of 12 Years a Slave, and not just