Originally published at Awards Circuit By the time Child’s Pose ended all I could do was say “Man, that was a great movie.” Throughout the nearly two-hour running time I was awed by the various twists and turns employed by the narrative, the fantastic acting, and the complexity that a film like this can employ. Calin Peter Netzer has
A one hour and twenty-minute heart attack. That’s the immediate description that came to my mind after the AFI Fest screening of Charlie Victor Romeo. Good heavens is that movie stressful. Luckily for people getting a chance to check the flick out, the movie is far more interesting than one might think on first glance and provides a unique look into fascinating subject matter.
There are few films this year that will fill you with the kind of wonderment and joy than Saving Mr. Banks. Channeling the spirit of their glory years, Disney has managed to craft a tale that’s reverential without being overly sentimental. Showbiz stories often fail at this but Banks provides an interesting insight into the making of a fascinating picture.
By the time 12 Years a Slave had finished it’s running time, I found myself having to take stock of myself. The film, directed by Steve McQueen, is certainly an experience, painting a tough portrait of what happened to many Black people. Though I managed to make it through the film without much incident, I felt a small sense of disconnect, having endured through the movie but not thoroughly engaged, inspite of knowing the film was good. Luckily, there was enough artistry and ideas to keep the film bouncing around my mind and some truly astonishing performances to smooth the issues.
Don Jon, Joseph Gordon-Levitt‘s directorial debut, certainly means well. However just because a film means well doesn’t mean that it’s guaranteed to be a good film and unfortunately for audiences, Don Jon isn’t one. Despite its sterling supporting performances and interesting subject matter, the film feels like little more than an exercise for a man