I have gone back and forth on these so much, I literally can’t look at them any more. Here are my Tony Awards predictions Best Musical “The Band’s Visit” “Frozen” “Mean Girls” “SpongeBob SquarePants: The Broadway Musical” Best Play “The Children” “Farinelli and the King” “Harry Potter and the Cursed Child” “Junk” “Latin History for
If I could add a subtitle to this it would be aka the Seinfeld episode because this episode truly isn’t about anything. We jump around the various topics of the past two weeks including Rosanne getting cancelled, the drama behind the scenes of Lethal Weapon, debate the validity of NBC doing Hair as a live
Well, if I already wasn’t a fan of getting on a boat in the middle of the water, Adrift might have finally put the nail in that coffin. But despite my palpable fear and stress at being stranded at sea, there wasn’t much more that sunk into my bones. Adrift is a well enough movie.
It’s not surprising to me that a movie like HBO’s Fahrenhei 451 would get made given our now universal reliance on technology and the kind of world it seems we are living in. Directed by Ramin Bahrani, the TV adaptation of Ray Bradburry’s classic novel doesn’t really shock the core like it should, mostly because
There is something to be said for leaving some questions unanswered and mysteries unsolved within a narrative. When George Lucas crafted his trilogy, he established an interesting canon with many weird quirks and questions. But in the ensuing years, with the prequels and Star Wars stories have sought to remove those enduring issues by placing
Netflix, like with every other genre it seems, has gone full throttle into the true crime genre. This year alone we’ve been hit with like five zeitgeist busting docuseries from the network. The most recent in this is Evil Genius: The True Story of America’s Most Diabolical Bank Heist, a true crime story that starts