It’s not surprising to me that a movie like HBO’s Fahrenhei 451 would get made given our now universal reliance on technology and the kind of world it seems we are living in. Directed by Ramin Bahrani, the TV adaptation of Ray Bradburry’s classic novel doesn’t really shock the core like it should, mostly because
Netflix, like with every other genre it seems, has gone full throttle into the true crime genre. This year alone we’ve been hit with like five zeitgeist busting docuseries from the network. The most recent in this is Evil Genius: The True Story of America’s Most Diabolical Bank Heist, a true crime story that starts
Dear White People is a confounding beast to watch as a young black person. On the one hand, the show occupies a vital space in the world of TV and is at times uproariously entertaining. On the other hand, it still is a show that gets bogged down by its own indulgences and throws so
So many of my interests have been lining up this week. Not only have the brackets taken over my life, but the good folks at the Hollywood Reporter have talked about doing drafts! Tim Goodman lays out the rules as follows: What it might be like if cable channels, networks and streaming services were in
During WonderCon, the creatives behind one of my favorite shows on TV, Star Trek Discovery, descended on Anaheim to talk a bit about the first season and working within one of the biggest TV properties of all time. I had some technical difficulties during this press room, so I’ll bring you some quotes from the
Learning from Gina Prince-Bythewood that Olivia Holt and Aubrey Joseph were cast the night before the Marvel team was set to go to New Orleans to shoot the pilot for Cloak & Dagger is staggering, but having seen the pilot, the old adage “good things come to those who wait” proves true. Olivia and Aubrey